Why I write in present tense
Saturday, October 25th, 2008(A friend/fellow scribe wrote me yesterday asking about my rationale for using present tense in MIRRORED HEAVENS, as well as whether I had any advice on problems one might encounter in so doing. Some may be interested in my reply.)
hiya—To be honest, I was so green when I started out that I didn’t realize present tense was an unorthodox choice (I’m sure if I’d ever been part of a critique group they would have beaten it out of me, which is one more reason I’m glad I never was)….but I liked it because it was a tone that was at once both urgent and dream-like. You might check out Peter Watts’ STARFISH, which I was pretty heavily influenced by; his underwater scenes (which constitute most of the novel) are all present tense. That said, it took me several years to really get my style to work the way I want it (I started writing in fall of 2000, and didn’t really find the “voice” until more than four years later).
As to problems, hmm. Coming off as pretentious/ponderous is definitely one (though maybe I have that one naturally : ). Another is the tendency to use the word “now” all the fricking time; as you can see by looking at the first book, this is not a problem I’ve necessarily shaken. (I often use the phrase “and now” almost as a ritual phrase, which my editor keeps trying to rein me back on—but I was deliberately trying to get the style to be more arresting/bracing than your average book). Choppy sentence structure is also something to watch out for. I certainly would disagree with [SuperFamousAuthor] that present tense is by definition problematic/flawed (it’s funny how some senior/veteran writers seem to be given to ex cathedra statements about what constitutes good/bad writing—I take this to mean that they’ve finally lost the battle with their ego, which I suppose is THE occupational hazard of writing).
There’s also the philosophical aspect of all this, which given my interest in history I found compelling. Writing in present tense felt to me somehow fairer to both the reader and the characters; I suspect this is why:
Try writing what you have written in the past tense in the present tense and you will see what I mean….What we have to do is to give back to the past we are writing about its own present tense. We give back to the past its own possibilities, its own ambiguities, its own incapacity to see the consequences of its action. It is only then that we represent what actually happened.
http://www.nla.gov.au/events/history/papers/Greg_Dening.html
hope that helps . . .
djw